But now I mostly use the phaser, chorus and pitch shift and big looped delays for songs like ‘Tempted’ and moody moments! Allysha JoyĪt the moment I’m rocking an SP404 and a Collider Delay+Reverb pedal with a WHOLE heap of percussion and samples that I play live! I initially loved the SP for all its gritty dirty sounds, the distortion and bit-crush when I would do spoken word/rap style vocals. The gear and the way we use the gear has to continue to evolve with it and I think helps to challenge us sonically beyond the songwriting. Our sound now is deeply inspired by a lot of the older UK scene, house and broken beat and always connected through jazz.
you know the vibe.īut as the stages got bigger and the beats got cleaner and more orientated towards the dance floor our gear had to get tighter. The band started out making music in the intersection of boom bap and jazz, heavily inspired by Madlib, Dilla, Badu. In fact at one stage I think every member of the band was running a 303 – for bass, Rhodes, guitar, vocals and then Ziggy (Z.F.E.X) on kit with the classic Roland trigger pad and it just continued to evolve from there. Yeah 30/70 definitely goes deep on the live sound and just as the band and the line up has continued to develop over time, so has the gear ! I think it all started with our love for SP303’s and sample based music. Read all the latest features, columns and more here. To celebrate this new release, Allysha Joy takes us through the band’s gear setup for ‘Tastes Like Freedom’ and also for when they’re on the road. To be perfectly myself, to feel held and safe, yet limitless in body and mind, and to feel even more in love when I am accepting and accepted, that tastes like freedom. On the new single Allysha says “‘Tastes Like Freedom’ is about openly, freely and proudly expressing your desire and your sexuality. Returning to the label with a new single, 30/70’s ‘Taste Like Freedom’ evolves over nine enticing minutes, with Allysha’s voice floating effortlessly over the jazz-funk arrangement touching on topics of love and openness. Their last record Fluid Motion was released via Rhythm Section International, a UK based label run by Bradley Zero with worldwide dance floor appeal. Over the past few years, 30/70 have been a force in the Neo-Soul/Funk/Jazz/Dance music scene not only here at home in Melbourne, but all across Europe too.
#SELMER REFERENCE 54 ALTO FAKE FULL#
The horn has been fully inspected and adjusted by our technicians here in the shop and will ship to you in full playing condition.Getting into the nitty gritty of their touring and studio rig. Will ship with original case and neck in excellent condition. There are some minor scratches along the back of the horn around the bell bow. Pads are in great condition, fully seal, and look phenomenal. The horn does sport some wear common with it’s age like cosmetic feather scratches and some minor lacquer loss on the octave key. This horn was played very carefully over it’s 15 years. There were only 330 Kookaburra’s ever produced by Selmer. This horn features the standard lacquer version of this prolific horn. Produced only in the year 2006 The Kookaburra model represents Australia.
#SELMER REFERENCE 54 ALTO FAKE SERIES#
These Bird Series would feature a custom hand-done engraving that featured a bird from the corresponding continent. Once a year they would feature a new continent and release a new style of Reference 54 that is specific to that continent. In 2005 Selmer started releasing the “Tribute to Bird” series of saxophones. Arguably, the Reference 54 is known to be the best overall saxophone Selmer Paris ever produced. These horns Feature that great sound from the Mark VI that made Selmer famous, and the Reference 54 expands on that concept by adding modern ergonomics, intonation and mechanics.
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